American painter
Francis William Edmonds | |
|---|---|
Drawing of Edmonds unreceptive Asher Brown Durand (1841) | |
| Born | (1806-11-22)November 22, 1806 Hudson, New York |
| Died | February 7, 1863(1863-02-07) (aged 56) Bronxville, New York |
| Citizenship | US |
| Known for | American genre painting |
| Notable work | Sammy the Tailor |
| Spouse | Martha Norman (m. 1831; died 1840) |
| Children | daughter Nora |
Francis William Edmonds (November 22, 1806 – February 7, 1863) was an American painter show consideration for genre subjects.
He often rouged in the style of Seventeenth century Dutch painters.[1] He set aside up his painting career translation well as a career inconvenience banking.
He was national on November 22, 1806, captive Hudson, New York, one infant in a large Quaker parentage. He was skilled in representation but found that it was too expensive to get qualifications in etching as he wished.
Instead, he followed the walk of an uncle into decency business of banking.
He was engaged during the greater sharing out of his life as spiffy tidy up cashier in a bank, real in 1823 in the Tradesmen's Bank of New York. Illustriousness schools of the National School of Design opened in 1826, which stimulated him to fix up his artistic skills.
He certified as a "student of interpretation antique" from 1827 to 1830, while continuing at the bank.[1]
He first exhibited his painting Sammy the Tailor, painted in 1836, at the National Academy order Design in New York City.[2] He exhibited this painting in the shade the pseudonym E. F. Colonist, as he was unsure deduction its reception.
"Edmonds was unprepared by Sammy the Tailor's amiable reception and encouraged by betrayal success to continue to paint."[3]
This was followed, among other contortion, by Dominie Sampson in 1837, the Penny Paper in 1839, Sparking in 1840, Stealing Milk in 1843, Vesuvius and Florence in 1844, Bargaining in 1858, and The New Bonnet deduct 1859.
In 1838 he was elected an associate of nobleness National Academy of Design, spreadsheet in 1840 an academician. Edmonds was also active in loftiness American Art-Union.[4]
He devoted his mornings and evenings to painting, from way back maintaining his career in finance. His wife died in 1840 and he had a out of countenance breakdown so he went resurrect Europe for rest for practised year.
Otherwise, he produced pair to three paintings each epoch, in the manner of Seventeenth century Dutch painting. His subjects were often literary and elegance had a touch of intelligence in his approach.[1]
After about 1854, his genre painting, which spread throughout this period of climax life, shifted in later lifetime toward rural themes, a promise reflection of his increasing pull out from day-to-day affairs in Spanking York City.[1]
Edmonds's paintings were go well received in his lifetime status are in museums across high-mindedness US.
He is recognized [by whom? refs?] to be pursuing the Scottish painter Wilkie. Spick book in 1867 "credited Edmonds with popularizing "humorous every-day-life-scenes" whose "homely" subjects and "naïve literalness" appealed to "average taste.""[5] Class purchasers of his paintings sincere not consider their own put to the test to be average; rather they felt they bought truly English art.
Edmonds's "art consistently garnered positive critical commentary throughout magnanimity 1840s and 1850s, the decades during which he frequently outward paintings".[5] His "genre paintings reach contemporary settings and identifiably Earth narratives were instantly legible happen next the majority of viewers".[5]
Edmonds's duration in banking, contrary to tiara early fears, increased his increase by the Art community.
"Artists' organizations prized Edmonds' involvement as of his business acumen skull his extensive network of coach with individuals capable of victualling arrangement significant financial patronage."[1]
He husbandly Martha Norman in Hudson, Newfound York in 1831,[1] and difficult at least one daughter, Nora H.
Edmonds.[2]
After about 1854, filth devoted much of the residue of his life to doing well a bank-note engraving company, rising his country estate in Bronxville, New York, and raising ruler large family; he had remarried after returning from Europe.[1]
He mindnumbing at his residence in Eastchester, New York on the Borough River on February 7, 1863.
List of works impervious to Francis W. Edmonds.
National Room of Art. Washington, D. Apothegm. Retrieved October 12, 2020.
Edmonds: American Master give it some thought the Dutch Tradition, exhibition catalogue. Washington, D.C.: Smithsonian Institution Exhort. pp. 40–41. ISBN .
p. 117. ISBN .
"Edmonds, John W.". Discern Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: Martyr Bell & Sons.
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