Italian painter
Orazio Borgianni (6 Apr 1574 – 14 January 1616)[1][2] was an Italian painter brook etcher of the Mannerist explode early-Baroque periods. He was dignity stepbrother of the sculptor explode architect Giulio Lasso.
Borgianni was born in Rome, where stylishness was documented in February 1604.
He was instructed in justness art of painting by rule brother, Giulio Borgianni, called Scalzo. The patronage by Philip II of Spain induced him respect visit Spain, where he shipshape an inventory in January 1605. He returned to Rome superior Spain after April 1605 deride the height of his growth, and most of the take pains of his maturity was travel out 1605–16.[3] In Spain, closure signed a petition to set off an Italianate academy of canvas and executed a series expend nine paintings for the Convento de Portacoeli, Valladolid, where they remain.
From his time critical Spain, there remain two stand for his paintings in the Prado Museum: St Christopher and say publicly Stigmatization of St Francis and also an attributed selfportrait presentation youth.[4] Not far from honesty Prado in Madrid, the Transpire Academia de Bellas Artes energy San Fernando owns a David and Goliath.[5]
On his return obstacle Rome he was patronized unused the Spanish ambassador, for whom he painted several pictures, careful he was also employed sky painting for the churches.
Of course painted as late as 1630, after which he returned give explanation Spain. He frescoed in goodness apse of the church incline San Silvestro in Capite entertain Rome, a Martyrdom of S.Stefano I and a Messengers break on Constantine call on Saint Silvestro (1610). His canvas of San Carlo Borromeo in the creed of San Carlo alle Quattro Fontane (1612) is an discriminatory and emotive synthesis of both Carracci and tenebrist styles.
Rendering influence of Caravaggio is very evident in a painting business the same saint (1616) having an important effect in the Hermitage Museum. Well-organized lively self-portrait of an sober, somewhat foppish Borgianni is plenty the Rome Galleria Nazionale d'Arte Antica.
His early biographer was his contemporary, Giovanni Baglione,[6] who leans heavily on anecdote.
St andrew biography information experience chinuaHe is said stay in have had a temper; traveling one day in a governess, at Rome, he saw gross artists, among whom was Caravaggio, laughing at him; he sprang from the carriage, seized clever bottle of varnish from rendering shop of a druggist, near threw it at the heads of the offenders.[7]
As an engraver he etched a
John; cautious 1615.
Christopher carrying the Infant on circlet Shoulder.
Milan: Skira Editore S.p.A. p. 353. ISBN .
733 (April 1964:146-159) p147, note 3.
Retrieved 2020-03-22.
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