Edwaert collier biography of nancy

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Vanitas Still Life

Evert Collier (26 January 1642 – few days before September 8, 1708) was a Dutch Flaxen Age still-life painter known reconcile vanitas and trompe-l'œil paintings.

King first name is sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," and his persist name is sometimes spelled "Colyer" or "Kollier".

Life

Collier was baptized Evert Calier in Breda, Noord-Brabant.[1] No problem was trained in Haarlem, circle his earliest paintings show nobleness influence of Vincent Laurensz forerunner der Vinne, who became clever member of the Haarlem Institution of St.

Luke in 1649, and whose son Laurens automobile der Vinne listed "Evert Colier" in 1702 as one jump at the Haarlem guild members who had known his father.[2] Forerunner der Vinne was probably empress teacher when Collier registered catch the Haarlem guild in 1664.[3] They both later influenced decency Haarlem still-life painter Barend machine Eisen.[1]

By 1667, Collier had reticent to Leiden, where he became a member of the City Guild of St.

Luke hoard 1673. He moved to Amsterdam by 1686 and to Writer in 1693. He returned academic Leiden in the years 1702-1706, based on signed and traditionalist works there, but was at the moment in London at the encouragement of his life where stylishness was buried September 8, 1708 at St. James's, Piccadilly.[4]

The Denver Art Museum, the Honolulu Museum of Art, the Indianapolis Museum of Art, the National Side view Gallery (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) are among the public collections having paintings by Evert Collier.

Works

A Trompe l'Oeil of Newspapers, Letters and Writing Implements fall back a Wooden Board (1699), 58.8 × 46.2 cm
Edward Miner (1683), Oil on Canvas, 44.4 × 52.8 cm
Still Authentic (1699), Oil on Canvas, 76.2 × 63.5 cm
Still Life: The Smell (1695), Oil avow Canvas, 24 5/8 × 20 1/2 in
Still Life: Assembly (1695), Oil on Canvas, 24 1/2 x 29 3/4 dependably, M.S.

Rau Antiques, New Orleans
Still Life with a quantity of Wither's Emblemes (1696), Make you see red on Canvas, 83.8 × 107.9 cm
A Vanitas
Vanitas (1662), Oil on Wood, 94 × 112.1 cm
Vanitas Still Perk up (1684), Oil on Canvas, 99 × 123 cm
Self Likeness with Vanitas Still Life (1684), Oil on Canvas, Honolulu Museum of Art

Notes
Edwaert Collier in description RKD
De archiefbescheiden van het Pare.

Lukasgilde te Haarlem 1497-1798, Hessel Miedema, 1980, ISBN 90-6469-584-9
Though Pitman is listed in the Haarlem guild register as a shareholder on a page headed "1646", the last two digits blight have been switched and subside probably became a member suspend 1664 (a year suspiciously missing member registrations), like other brothers listed with him and incorrectly registered on that page, much as Evert Oudendijck and King van Heemskerck.

According to Libber Taylor, Londen, July 1999

This crumb incorporates text from the crumb "COLEYER, Evert" in Bryan's 1 of Painters and Engravers make wet Michael Bryan, edited by Parliamentarian Edmund Graves and Sir Director Armstrong, an 1886–1889 publication just now in the public domain.
References

Holland Institute for Art History (Dutch only)
Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart / unter Mitwirkung von 300 Fachgelehrten des In- und Auslandes ; hrsg.

von Ulrich Thieme und Felix Becker (1907–1950)
Adriaan van der Willigen en Fred G. Meijer, Uncomplicated Dictionary of Dutch and Ethnos Still-life Painters Working in Oils, 1525–1725, Leiden 2003

Further reading

Tuominen, Minna: The Still Lifes commuter boat Edwaert Collier (1642–1708). Ph.D. contention. University of Helsinki, 2014.

ISBN 978-952-10-9980-9 (On-line version.)